Discipline: Music

Fulya Uçanok & Ulrike Ruf

Year 2026
Discipline Music

Fulya Uçanok is an electroacoustic musician, artist-researcher, and pianist working in electroacoustic and mixed composition, as well as contemporary free improvisation. Born in Turkey, she studied classical piano at Hacettepe University State Conservatory and completed her master’s and doctoral degrees at the Center for Advanced Studies in Music, İTÜ. Her doctoral research, completed in 2022, focused on electroacoustic composition through a response-able approach to musicking with human, more-than-human, and material agents. Her artistic practice integrates piano, objects, and electronics, foregrounding relational models of listening-responding, and material contingency. She is an active improviser whose work has been widely presented, and she also works through collaborative processes with diverse artists across performance, composition, and research contexts. Her current interests focus on sympoietic (making-with) practices, exploring human–instrument–material companionships within composition and performance. 

Ulrike Ruf is a cellist, sound artist and curator of a concert series for experimental music. She develops stage pieces on biographical, social and contemporary historical themes, for which she researches in archives and works with interviews and field recordings. Her formative artistic inspirations came from Johann Kresnik at the Berlin Volksbühne and from her collaboration with dancers from Sasha Waltz & Guests. She has composed pieces for choirs, collaborated with the soloist ensemble Kaleidoskop, musicians from the Ensemble Mosaik, choreographer Gabriel Galindez Cruz and poet Ulrike Almut Sandig. Her works have been presented at the Haus des Rundfunks Berlin, Radialsystem V and broadcast on Deutschlandfunk Kultur, and more. She has played at international festivals as well as at Maerz Musik and Klangwerkstatt Berlin. Among her many awards and scholarships are the Opus Klassik for the music film StimmenÜberLeben. 

Fulya Uçanok and Ulrike Ruf are in residency at the Tarabya Cultural Academy from February to May 2026 as part of the German-Turkish co-production program supported by the Allianz Foundation.

Year 2026
Discipline Music
© Cristina Marx/ © Carina Khorkhordina

Fulya Uçanok is an electroacoustic musician, artist-researcher, and pianist working in electroacoustic and mixed composition, as well as contemporary free improvisation. Born in Turkey, she studied classical piano at Hacettepe University State Conservatory and completed her master’s and doctoral degrees at the Center for Advanced Studies in Music, İTÜ. Her doctoral research, completed in 2022, focused on electroacoustic composition through a response-able approach to musicking with human, more-than-human, and material agents. Her artistic practice integrates piano, objects, and electronics, foregrounding relational models of listening-responding, and material contingency. She is an active improviser whose work has been widely presented, and she also works through collaborative processes with diverse artists across performance, composition, and research contexts. Her current interests focus on sympoietic (making-with) practices, exploring human–instrument–material companionships within composition and performance. 

Ulrike Ruf is a cellist, sound artist and curator of a concert series for experimental music. She develops stage pieces on biographical, social and contemporary historical themes, for which she researches in archives and works with interviews and field recordings. Her formative artistic inspirations came from Johann Kresnik at the Berlin Volksbühne and from her collaboration with dancers from Sasha Waltz & Guests. She has composed pieces for choirs, collaborated with the soloist ensemble Kaleidoskop, musicians from the Ensemble Mosaik, choreographer Gabriel Galindez Cruz and poet Ulrike Almut Sandig. Her works have been presented at the Haus des Rundfunks Berlin, Radialsystem V and broadcast on Deutschlandfunk Kultur, and more. She has played at international festivals as well as at Maerz Musik and Klangwerkstatt Berlin. Among her many awards and scholarships are the Opus Klassik for the music film StimmenÜberLeben. 

Fulya Uçanok and Ulrike Ruf are in residency at the Tarabya Cultural Academy from February to May 2026 as part of the German-Turkish co-production program supported by the Allianz Foundation.

Anna Korsun

Year 2026
Discipline Music

Ukrainian-born composer Anna Korsun, studied composition in Kyiv and Munich. She composes for various ensembles, including voice, electronics and sound objects. Her works are featured internationally at concerts and festivals, including the ECLAT New Music festival, the Darmstädter Ferienkurse, the ISCM, Warsaw Autumn and the Wittener Tage für neue Kammermusik. The Neue Vocalsolisten Stuttgart, the SWR Vokalensemble, Ensemble Mosaikascolta, Ensemble Modern, AskoSchoenberg, Camerata Silesia and Silbersee have already performed her compositions. Korsun was rewarded with scholarships from Villa Massimo in Rome, the Goethe Institute in Canada, the Akademie Schloss Solitude and the Cité Internationale des Arts in Paris. She is also recipient of several composition prizes. 

Anna Korsun is in residence at the Tarabya Cultural Academy from February to May 2026.

Year 2026
Discipline Music
© Tetiana Korsun

Ukrainian-born composer Anna Korsun, studied composition in Kyiv and Munich. She composes for various ensembles, including voice, electronics and sound objects. Her works are featured internationally at concerts and festivals, including the ECLAT New Music festival, the Darmstädter Ferienkurse, the ISCM, Warsaw Autumn and the Wittener Tage für neue Kammermusik. The Neue Vocalsolisten Stuttgart, the SWR Vokalensemble, Ensemble Mosaikascolta, Ensemble Modern, AskoSchoenberg, Camerata Silesia and Silbersee have already performed her compositions. Korsun was rewarded with scholarships from Villa Massimo in Rome, the Goethe Institute in Canada, the Akademie Schloss Solitude and the Cité Internationale des Arts in Paris. She is also recipient of several composition prizes. 

Anna Korsun is in residence at the Tarabya Cultural Academy from February to May 2026.

Nalan Karacagil

Year 2025
Discipline Music

In 2017, singer, DJ and producer Nalan, as part of the Gaddafi Gals, released the EP the death of papi. The debut album Temple followed in 2019, and the second album Romeo Must Die, in 2022. In 2021, she began her solo career and released her debut album I’m Good. The Crying Tape, which she took on tour in 2023.

Nalan is also part of the SLIC Unit DJ collective alongside Gaddafi Gals and works as a DJ under her alias slimgirl fat. Together with SLIC Unit, she went on a brief tour of Latin America and the United States in early 2024. They also are residents of FoundationFM, London at the Golden Pudel Club in Hamburg.

From 2020 to 2024 she worked as a writer and producer at Sony ATV. In 2021 she signed with the Berlin label Mansions & Millions and since 2022, with the booking agency Powerline.

Nalan follows her own notions of exciting vocal sounds and structures to create a unique blend of pop, RnB, and indie music. This is what defines her as a musician, as all music journalists agree.

Nalan Karacagil was a resident at the Tarabya Cultural Academy from February 2025 to May 2025.

Year 2025
Discipline Music

In 2017, singer, DJ and producer Nalan, as part of the Gaddafi Gals, released the EP the death of papi. The debut album Temple followed in 2019, and the second album Romeo Must Die, in 2022. In 2021, she began her solo career and released her debut album I’m Good. The Crying Tape, which she took on tour in 2023.

Nalan is also part of the SLIC Unit DJ collective alongside Gaddafi Gals and works as a DJ under her alias slimgirl fat. Together with SLIC Unit, she went on a brief tour of Latin America and the United States in early 2024. They also are residents of FoundationFM, London at the Golden Pudel Club in Hamburg.

From 2020 to 2024 she worked as a writer and producer at Sony ATV. In 2021 she signed with the Berlin label Mansions & Millions and since 2022, with the booking agency Powerline.

Nalan follows her own notions of exciting vocal sounds and structures to create a unique blend of pop, RnB, and indie music. This is what defines her as a musician, as all music journalists agree.

Nalan Karacagil was a resident at the Tarabya Cultural Academy from February 2025 to May 2025.

Stellan Veloce

Year 2025
Discipline Music

Stellan Veloce is a Sardinian cellist and composer living in Berlin. They studied cello at the Cagliari Conservatory and composition at the Universität der Künste Berlin and the California Institute of the Arts.

Veloce’s music focuses on timbral research, iteration, and modulations of sound densities, integrating composition with improvisation and collective practices such as playing in a band. Traditional Sardinian music is an important inspiration of their work.

Veloce composes music for ensembles and dance performances, favouring collective practices. They collaborate regularly with the choreographer Sheena McGrandles, the composer Neo Hülcker, and the filmmaker Silvia Maggi. They occasionally work on stage or studio in the pop music sphere, most recently with pop icon Peaches.

Veloce’s first LP Complesso Spettro includes two pieces for sextet that serve as a bridge between the different manifestations of their music, such as experimental rock, contemporary music, and improvisation.

Stellan Veloce is in residence at the Tarabya Cultural Academy from October 2025 to January 2026.

Year 2025
Discipline Music
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Stellan Veloce is a Sardinian cellist and composer living in Berlin. They studied cello at the Cagliari Conservatory and composition at the Universität der Künste Berlin and the California Institute of the Arts.

Veloce’s music focuses on timbral research, iteration, and modulations of sound densities, integrating composition with improvisation and collective practices such as playing in a band. Traditional Sardinian music is an important inspiration of their work.

Veloce composes music for ensembles and dance performances, favouring collective practices. They collaborate regularly with the choreographer Sheena McGrandles, the composer Neo Hülcker, and the filmmaker Silvia Maggi. They occasionally work on stage or studio in the pop music sphere, most recently with pop icon Peaches.

Veloce’s first LP Complesso Spettro includes two pieces for sextet that serve as a bridge between the different manifestations of their music, such as experimental rock, contemporary music, and improvisation.

Stellan Veloce is in residence at the Tarabya Cultural Academy from October 2025 to January 2026.

Ignaz Schick - Istanbul Diaries I Durational concert installation

Datum 03. & 04. Mai 2025
Discipline Music

On May 3 and 4, Kulturakademie Tarabya alumnus Ignaz Schick will present his durational concert installation Istanbul Diaries at the Orient Institut Istanbul.

Istanbul Diaries is based on Ignaz Schick’s research he conducted during his 2018-2023 residencies at Kulturakadmie Tarabya, a research about how the
megalopolis sounds.
This durational concert installation of about 4 hours length combines sound and video installations, graphic/video scores, field recordings, ensemble conductions and small group improvisations involving 7 important experimental/contemporary musicians and protagonists of the vivid Istanbul music scene. Like this, a unique sonic mapping and portrait of this special city is created in a marathon like setting.

Supported by the Alumni Fonds of the Tarabya Cultural Academy, Istanbul Diaries is realized by Ignaz Schick together with Sevket Akinçi, Oguz Büyükberber, Anil Eraslan, Ulrich Mertin, Merve Salgar, Amy Salsgiver and Fulya Uçanok.

Istanbul Diaries is a co-production of Zangi Music/Zarek Berlin, the Orient Institut Istanbul & the Kulturakademie Tarabya.

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Marc Sinan

Year 2013
Discipline Music

Marc Sinan is a composer and guitarist. In his work he tries out new forms of collaboration between artists in a transcultural and transmedia context. He usually works as composer, artistic director, guitarist, and producer with his own ensemble, the Marc Sinan Company, and with changing international guests and institutional partners such as the Royal Philharmonic Orchestra, Badisches Staatstheater Karlsruhe, Dresden Symphony Orchestra, Ensemble ConTempo Beijing, Belgrade Ensemble Metamorphosis, Sonar Quartet, Neue Vocalsolisten Stuttgart, and the media collective Schnellebuntebilder. Recordings of his works have been released by ECM Records. His mainly full-length works, which take up current socio-political issues, are performed internationally and have been guests at festivals such as the Schleswig- Holstein Music Festival, Istanbul Festival, and MaerzMusik, and at venues such as the Halle Opera, Wuppertal Opera, Bremen Theater, Humboldt-Forum Berlin, Maxim Gorki Theater Berlin, and Wiener Konzerthaus. He lives and works in Berlin.

Marc Sinan was a resident at the Tarabya Cultural Academy from September 2012 to January 2013.

Year 2013
Discipline Music

Marc Sinan is a composer and guitarist. In his work he tries out new forms of collaboration between artists in a transcultural and transmedia context. He usually works as composer, artistic director, guitarist, and producer with his own ensemble, the Marc Sinan Company, and with changing international guests and institutional partners such as the Royal Philharmonic Orchestra, Badisches Staatstheater Karlsruhe, Dresden Symphony Orchestra, Ensemble ConTempo Beijing, Belgrade Ensemble Metamorphosis, Sonar Quartet, Neue Vocalsolisten Stuttgart, and the media collective Schnellebuntebilder. Recordings of his works have been released by ECM Records. His mainly full-length works, which take up current socio-political issues, are performed internationally and have been guests at festivals such as the Schleswig- Holstein Music Festival, Istanbul Festival, and MaerzMusik, and at venues such as the Halle Opera, Wuppertal Opera, Bremen Theater, Humboldt-Forum Berlin, Maxim Gorki Theater Berlin, and Wiener Konzerthaus. He lives and works in Berlin.

Marc Sinan was a resident at the Tarabya Cultural Academy from September 2012 to January 2013.

Mark Andre

Year 2016
Discipline Music

Mark Andre studied composition, counterpoint, harmony, and musical analysis at the Conservatoire National Supérieure de Musique de Paris (CNSMP) and composition at the College of Music and Performing Arts in Stuttgart. Among his teachers were Claude Ballif, Gérard Grisey and Helmut Lachenmann. He has been a resident at Villa Medici in Rome (1998–2000) and Fellow of the Berlin Artists’ Program of the DAAD (2005). In 2008 he received the Advancement Award of the Berlin Art Award of the Academy of the Arts. In 2009 the first complete performance of his tryptich …auf…took place in Berlin, and he became a member of the Berlin Academy of the Arts and professor of composition at the Dresden University of Music; in 2010 he was composer-in-residence and lecturer at the 21st Takefu International Music Festival; in 2011 he was awarded the Order Chevalier des Arts et des Lettres by the French Minister of Culture; in 2014 the world premiere of his opera wunderzaichen took place in Stuttgart; and in 2017 he was a lecturer at Impuls in Graz. He lives in Berlin.

Mark Andre was a resident at Tarabya Cultural Academy from July 2015 to February 2016.

Year 2016
Discipline Music

Mark Andre studied composition, counterpoint, harmony, and musical analysis at the Conservatoire National Supérieure de Musique de Paris (CNSMP) and composition at the College of Music and Performing Arts in Stuttgart. Among his teachers were Claude Ballif, Gérard Grisey and Helmut Lachenmann. He has been a resident at Villa Medici in Rome (1998–2000) and Fellow of the Berlin Artists’ Program of the DAAD (2005). In 2008 he received the Advancement Award of the Berlin Art Award of the Academy of the Arts. In 2009 the first complete performance of his tryptich …auf…took place in Berlin, and he became a member of the Berlin Academy of the Arts and professor of composition at the Dresden University of Music; in 2010 he was composer-in-residence and lecturer at the 21st Takefu International Music Festival; in 2011 he was awarded the Order Chevalier des Arts et des Lettres by the French Minister of Culture; in 2014 the world premiere of his opera wunderzaichen took place in Stuttgart; and in 2017 he was a lecturer at Impuls in Graz. He lives in Berlin.

Mark Andre was a resident at Tarabya Cultural Academy from July 2015 to February 2016.

Sinem Altan

Year 2016
Discipline Music

Sinem Altan, born in 1985 in Ankara, studied composition at the University of the Arts, Berlin, and composition at the Hanns Eisler Music Academy. Her more extensive works include Hafriyat-Earthwork for orchestra, for which she won the European Composer Prize 2015, the Concerto for Bağlama and Orchestra, commissioned by the Landesmusikrat Berlin 2013, and the city opera Die Gute Stadt (The Good City) for the Freiburg Theater. Her fairy tale concerto Keloğlan und die Räuberbande (Keloğlan and the Band of Robbers), commissioned by the Rundfunk-Sinfonieorchester Berlin, received the Young Ears Special Prize 2011. She currently works as artistic director at the Atze Musiktheater Berlin and is the musical director of the Maxim Gorki Theater, Berlin. Her current performances and projects as a pianist and conductor, also with her renowned Ensemble Olivinn, include the recomposition project for Beethoven’s Pastorale at the main broadcasting hall of the RBB Aşkım Beethoven, meine Liebe (Aşkım Beethoven, My Love), commissions for new compositions at the Young Euro Classic at Konzerthaus Berlin, a series of concerts in Cemal-Reşit-Rey Concert Hall in Istanbul, and concert events for the German Federal President at Bellevue Palace.

Sinem Altan was a resident at Tarabya Cultural Academy from July to December 2016.

Year 2016
Discipline Music

Sinem Altan, born in 1985 in Ankara, studied composition at the University of the Arts, Berlin, and composition at the Hanns Eisler Music Academy. Her more extensive works include Hafriyat-Earthwork for orchestra, for which she won the European Composer Prize 2015, the Concerto for Bağlama and Orchestra, commissioned by the Landesmusikrat Berlin 2013, and the city opera Die Gute Stadt (The Good City) for the Freiburg Theater. Her fairy tale concerto Keloğlan und die Räuberbande (Keloğlan and the Band of Robbers), commissioned by the Rundfunk-Sinfonieorchester Berlin, received the Young Ears Special Prize 2011. She currently works as artistic director at the Atze Musiktheater Berlin and is the musical director of the Maxim Gorki Theater, Berlin. Her current performances and projects as a pianist and conductor, also with her renowned Ensemble Olivinn, include the recomposition project for Beethoven’s Pastorale at the main broadcasting hall of the RBB Aşkım Beethoven, meine Liebe (Aşkım Beethoven, My Love), commissions for new compositions at the Young Euro Classic at Konzerthaus Berlin, a series of concerts in Cemal-Reşit-Rey Concert Hall in Istanbul, and concert events for the German Federal President at Bellevue Palace.

Sinem Altan was a resident at Tarabya Cultural Academy from July to December 2016.

Michael Schiefel

Year 2017
Discipline Music

Michael Schiefel studied jazz singing and composition at the University of the Arts in Berlin and has been giving concerts since the early 1990s. During his studies, the singer already began to experiment with the expressive possibilities of loop devices and other forms of electronics. Since then, he has been touring all over the world with his solo vocal programs, including as a guest of the Goethe-Institut. He also works in many bands – for example, in a duo with David Friedman, his own Istanbul Quartet, the Platypus Trio, the Wood & Steel Trio, and in Thärichens Tentett. He has given concerts at festivals around the world, including the North Sea Jazz Festival (Netherlands), Jarasum Jazz Festival (Korea), JZ Festival (China), Earshot Jazz Festival (USA), Mediawave Festival (Hungary), Eunics Festival (Chile), and Jazzfest Berlin. Since 2001 he has been professor for jazz singing at the Franz Lizst University of Music in Weimar. In 2013 he won the Echo Jazz Prize as Singer of the Year (national). Most recently he released No Half Measures with Thärichens Tentett (Laika Records 2019) and Hollywood Songbook with the Wood & Steel Trio (Traumton 2018).

Michael Schiefel was a resident at Tarabya Cultural Academy from June to November 2017.

Year 2017
Discipline Music

Michael Schiefel studied jazz singing and composition at the University of the Arts in Berlin and has been giving concerts since the early 1990s. During his studies, the singer already began to experiment with the expressive possibilities of loop devices and other forms of electronics. Since then, he has been touring all over the world with his solo vocal programs, including as a guest of the Goethe-Institut. He also works in many bands – for example, in a duo with David Friedman, his own Istanbul Quartet, the Platypus Trio, the Wood & Steel Trio, and in Thärichens Tentett. He has given concerts at festivals around the world, including the North Sea Jazz Festival (Netherlands), Jarasum Jazz Festival (Korea), JZ Festival (China), Earshot Jazz Festival (USA), Mediawave Festival (Hungary), Eunics Festival (Chile), and Jazzfest Berlin. Since 2001 he has been professor for jazz singing at the Franz Lizst University of Music in Weimar. In 2013 he won the Echo Jazz Prize as Singer of the Year (national). Most recently he released No Half Measures with Thärichens Tentett (Laika Records 2019) and Hollywood Songbook with the Wood & Steel Trio (Traumton 2018).

Michael Schiefel was a resident at Tarabya Cultural Academy from June to November 2017.

Ketan Bhatti

Year 2017
Discipline Music

Ketan Bhatti, born in 1981, is a composer and percussionist who crosses the boundaries between different genres and cultural worlds. His works range from contemporary chamber music to experimental music and dance theater, stage and film music to electronic, hip-hop-based productions. Since 2003 he has been composing regularly with his brother Vivan Bhatti for productions by the director Nuran David Çalış and others at Deutsches Theater Berlin and the Cologne Schauspiel. Ketan and Vivan Bhatti’s music theater pieces are based on collaborations with authors such as Feridun Zaimoğlu and Roland Schimmelpfennig, ask questions about integration and exclusion, and have been premiered and performed at various venues, including the Neu Kölln Opera, the Tischlerei – Deutsche Oper Berlin and the Hanover State Opera. Since 2009 the brothers have also been composing and producing the music for the shows of the Berlin urban dance company Flying Steps. For the concert Klanggestalten featuring Simon Stockhausen, Bhatti was awarded the Karl Hofer Prize 2008. With Cymin Samawatie, he founded the Trickster Orchestra in 2013 as a chamber orchestra for contemporary, trans-traditional soundscapes and experimental methods of development.

Ketan Bhatti was a resident at Tarabya Cultural Academy from January to June 2017.

Year 2017
Discipline Music

Ketan Bhatti, born in 1981, is a composer and percussionist who crosses the boundaries between different genres and cultural worlds. His works range from contemporary chamber music to experimental music and dance theater, stage and film music to electronic, hip-hop-based productions. Since 2003 he has been composing regularly with his brother Vivan Bhatti for productions by the director Nuran David Çalış and others at Deutsches Theater Berlin and the Cologne Schauspiel. Ketan and Vivan Bhatti’s music theater pieces are based on collaborations with authors such as Feridun Zaimoğlu and Roland Schimmelpfennig, ask questions about integration and exclusion, and have been premiered and performed at various venues, including the Neu Kölln Opera, the Tischlerei – Deutsche Oper Berlin and the Hanover State Opera. Since 2009 the brothers have also been composing and producing the music for the shows of the Berlin urban dance company Flying Steps. For the concert Klanggestalten featuring Simon Stockhausen, Bhatti was awarded the Karl Hofer Prize 2008. With Cymin Samawatie, he founded the Trickster Orchestra in 2013 as a chamber orchestra for contemporary, trans-traditional soundscapes and experimental methods of development.

Ketan Bhatti was a resident at Tarabya Cultural Academy from January to June 2017.